- #Warp stabilizer click analyze to begin how to#
- #Warp stabilizer click analyze to begin pro#
- #Warp stabilizer click analyze to begin software#
- #Warp stabilizer click analyze to begin plus#
mp3 audio files this wasn’t an exact science, but involved placing louder audios on levels with lower volume on the audio mixer, and vice versa- this was important to ensure the film’s sound was equalled.
One issue I encountered was levelling the volume of the. Examples of this include using the stabiliser effect to smooth out the picture for rushes shot handheld (see 3:30), the ProcAmp effect to turn the picture black-and-white to connote a flashback (see 0:50) and the use of “Dissolve” transitions to make the picture fade to black, furthering the endings impact (see 5:20). However, of the skills I did amass, I was able to implement changes that were tantamount to improving the quality of the film.
#Warp stabilizer click analyze to begin software#
I feel as though a degree of prior knowledge was needed to tap into Premiere Pro’s undoubted potential consequently, to improve I should have thoroughly researched the editing software even before I’d started production, so that I would have a sound foundation with which to work from.
#Warp stabilizer click analyze to begin pro#
The antithesis of my camera confidence was my difficulty with using editing software: Adobe Premiere Pro CS6. Consequently, I feel as though using the Canon 500d DSLR was a new media technology that was fundamental in ensuring a short film that looked visually aesthetic and of a quality standard. Using a tripod was new to me -my photography is usually freehand and I left tripod adjusting to my peers in last years project- although once I got the hang of what can be achieved with a tripod, I felt more at ease with tracking shots and tilts. a close-up of Liam’s character in the counsellor scene to reveal his frustration). Also, I adjusted the lens when I needed a close-up (eg. Furthermore, on the first filming shoot, I struggled with chromatic aberration a diffractive optic lens would have been useful at that point, but by perseverance I was able to adjust the focus to create a clearer picture. The familiarity of the camera gave me a better command of what I wanted to achieve: for instance, I manually adjusted the aperture by applying a micro lens (100mm) to the counsellor scene, where the natural lighting was overbearing. For instance, I decided to use my own Canon 500d camera to capture the film, which I hoped would create a film with a better resolution than that of the cameras used in my AS project. I used new media technologies to construct my short film in a variety of different ways. The following stages of evaluation have helped me to reflect upon my work and formulate part of the first draft of my evaluation presentation.
#Warp stabilizer click analyze to begin plus#
Over the past week I've reflected on my use of new media technologies in the construction, research and planning plus evaluation stages.
#Warp stabilizer click analyze to begin how to#
It added an unexpected feature that distorted the shots- in another context, this may have looked bad, but I felt the distortion effect the Warp Stabilizer provided reflected the tone and atmosphere of the sequence.Ĭonsequently, whilst I wouldn't in future shorts use warp stabilizer for distortion, I now know how to smooth out rushes in order to make a more professionally authentic short film. The warp stabilizer worked effectively in my film. I learned to use this tool from a Youtube video entitled "How to: Smooth moves from Shakey Footage" () and this gave me the adequate understanding to know how to achieve this effect: the steps included:ģ) Apply to the selected clip and wait for clip to buffer this should smooth the motion. Another tool I learned about was the warp stabilizer, which would aim to smooth out the shot. When editing, I found that the rushes weren't smooth enough and detracted from the action and the film's overall quality.
With a lack of professional equipment to achieve this, such as a dolly, I carried the camera rested on my shoulder, in order to gain the smoothest shot possible.
For a sequence of shots in my film, I decided to use a handheld approach to reflect the growing chaotic nature for the main character in my film.